{"title": "Critical Musicologies: Zwischen Kanonizität, Lehre und künstlerischer Praxis – Symposien", "start": "2026-11-20T00:00:00+01:00", "end": "2026-11-22T00:00:00+01:00", "place": "Universität der Künste Berlin – Fakultät Gestaltung", "address": "Grunewaldstraße 5-2, 10823 Berlin", "price": "", "price_from": null, "price_to": null, "category": "talks-readings", "tags": ["music/musicology"], "description": "A symposium titled „Critical Musicologies: Zwischen Kanonizität, Lehre und künstlerischer Praxis“ taking place over three days at different venues in Berlin. It is run by Musica inaudita as the 40th DVSM junior symposium, whose conference concept was selected. Canons in concert programmes and musical degree programmes, especially musicology, are to be critically questioned, practising critique of canon and teaching. Alongside talks, alternative formats such as performances, installation works and workshops are recognised as equal; registration is possible by mail with the subject line „Anmeldung DVSM-Symposium“.", "url": "https://noky.io/en/berlin/events/critical-musicologies-zwischen-kanonizitat-lehre-und-kunstle-29021/", "official_url": "https://www.udk-berlin.de/veranstaltung/critical-musicologies-zwischen-kanonizitaet-lehre-und-kuenstlerischer-praxis/", "image": "https://noky.io/images/c17ecb4fb37de9ce9f181889be993ee9d58b0567483e8468be186a38bc566288-600.webp", "dates": [{"start": "2026-11-20T00:00:00+01:00", "end": "2026-11-22T00:00:00+01:00", "place": "Universität der Künste Berlin – Fakultät Gestaltung", "address": "Grunewaldstraße 5-2, 10823 Berlin", "tickets": ""}], "similar": [{"title": "Critical Musicologies: Zwischen Kanonizität, Lehre und künstlerischer Praxis – Symposien", "start": "2026-11-20T00:00:00+01:00", "end": "2026-11-22T00:00:00+01:00", "place": "UNI.T", "address": "Fasanenstraße 1b, 10623 Berlin", "price": "", "price_from": null, "price_to": null, "category": "talks-readings", "tags": ["music/musicology"], "description": "The symposium “Critical Musicologies: Zwischen Kanonizität, Lehre und künstlerischer Praxis” is the 40th DVSM early-career symposium and takes place at changing venues. The team of Musica inaudita developed the conference concept; registration is by email with the subject line “Anmeldung DVSM-Symposium”. It critically questions canons – not only in concert programmes but also in musical degree programmes, especially musicology – thereby putting canon and teaching critique into practice. Instead of classic individual talks, alternative formats of presentation and exchange are meant to make the conference participatory and interdisciplinary, with performances, installative works and workshops recognised as formats of knowledge transfer equal to purely academic papers.", "url": "https://noky.io/en/berlin/events/critical-musicologies-zwischen-kanonizitat-lehre-und-kunstle-68470/", "official_url": "https://www.udk-berlin.de/veranstaltung/critical-musicologies-zwischen-kanonizitaet-lehre-und-kuenstlerischer-praxis/", "image": "https://noky.io/images/c17ecb4fb37de9ce9f181889be993ee9d58b0567483e8468be186a38bc566288-600.webp"}, {"title": "Verdrängte Musik-Geschichte/n. Konzepte und kulturelle Praktiken", "start": "2026-11-11T00:00:00+01:00", "end": null, "place": "UNI.T", "address": "Fasanenstraße 1b, 10623 Berlin", "price": "frei", "price_from": "0.00", "price_to": "0.00", "category": "talks-readings", "tags": ["history/colonialism", "music/history"], "description": "The lecture series „Verdrängte Musik-Geschichte/n. Konzepte und kulturelle Praktiken“ is a digital, cross-university series of talks in the winter semester 26/27. It is run by the Musica inaudita team at the Berlin University of the Arts and is intended as a space for networking and exchange between teachers, researchers and students from different locations. A sequence of themed evenings is planned, opening up different perspectives on writing music history, including questions of repertoire formation, visibility in exile, gender staging, media and knowledge transfer, biographical research, queerness, decolonialisation and postcolonial approaches. The series takes place weekly on Wednesdays from 18:00 to 19:30; admission is free.", "url": "https://noky.io/en/berlin/events/verdrangte-musik-geschichten-konzepte-und-kulturelle-praktik-31774/", "official_url": "https://www.udk-berlin.de/veranstaltung/verdraengte-musik-geschichte-n-konzepte-und-kulturelle-praktiken/", "image": "https://noky.io/images/c17ecb4fb37de9ce9f181889be993ee9d58b0567483e8468be186a38bc566288-600.webp"}, {"title": "SIM-Forschungskolloquium: Das Materielle, das Künstlerische und das Soziale", "start": "2026-11-11T15:00:00+01:00", "end": "2026-11-11T16:00:00+01:00", "place": "Musikinstrumenten-Museum", "address": "Tiergartenstraße 1, 10785", "price": "Eintritt frei", "price_from": "0.00", "price_to": "0.00", "category": "talks-readings", "tags": ["history/19th-century", "music/history"], "description": "A public research colloquium of the State Institute for Music Research at which Marten Noorduin, a research associate at the institute, presents his current research project. In his DFG-funded project „Das Materielle, das Künstlerische und das Soziale. Ensembleproben in und um Berlin und London, 1813–1869” he examines the material, artistic and social aspects of the pre-performance practices of the Philharmonic Society in London and the Royal Prussian Court Orchestra. The event takes place in the institute's seminar room, with access through the entrance of the State Institute for Music Research. Admission is free and no registration is required.", "url": "https://noky.io/en/berlin/events/sim-forschungskolloquium-das-materielle-das-kunstlerische-un-12400/", "official_url": "https://www.simpk.de/ueber-uns/veranstaltungen/veranstaltungs-detailseite/veranstaltung/2026/11/11/sim-forschungskolloquium-das-materielle-das-kuenstlerische-und-das-soziale.html", "image": "https://noky.io/images/09dbf8134ac952253309a07bc97d31f40dd0a095e844b7670f5120ec9c14c8d7-600.webp"}, {"title": "Musik : Werk : Material. Werkbegriff und Aufführungspraxis in der Experimentellen Musik", "start": "2026-11-10T19:00:00+01:00", "end": null, "place": "Kunstsammlung der Akademie der Künste", "address": "Luisenstraße 60, 10117 Berlin", "price": "7,50 EUR (Ermäßigt: 5 EUR)", "price_from": "7.50", "price_to": "7.50", "category": "talks-readings", "tags": ["music/experimental"], "description": "An evening of talks, discussions and performances on the concept of the work in experimental music. It is organised by the music archive of the Akademie der Künste; participants include Volker Straebel, Helene Herold, Anke Hervol, Bill Dietz, Kirsten Reese and Chiyoko Szlavnics, moderated by Felix Marzillier. The discussion asks how a performance relates to a score and whether there is a work identity linking different realisations of a piece. To this end, Peter Ablinger's verbal score „Instrument & Voice“ (2007–13) is performed in two different interpretations.", "url": "https://noky.io/en/berlin/events/musik-werk-material-werkbegriff-und-auffuhrungspraxis-in-der-79992/", "official_url": "https://adk.de/programm/veranstaltungskalender/2026/11/musik-werk-material/596581", "image": "https://noky.io/images/71d5f0de7d0e6b37c7b7068b3df154f80d6eb1303977877312ae8929d34bf79b-2000.webp"}, {"title": "Warum Kunst?", "start": "2026-11-10T18:00:00+01:00", "end": null, "place": "Foyer des Konzertsaals der UdK Berlin", "address": "Fasanenstraße 1b, 10623 Berlin", "price": "", "price_from": "0.00", "price_to": "0.00", "category": "talks-readings", "tags": ["society/philosophy"], "description": "\"Why Art?\" is a public talk series by the Berlin University of the Arts during the winter semester 2026/27. On six Tuesday evenings, two guests each from art, politics, society, science or cultural practice give short impulses followed by a discussion, moderated by members of the university community. The series asks how the necessity of art and artistic training can be justified today – amid political polarisation, artificial intelligence and digitalisation. It sees itself as an open forum for reflection and exchange between artists, scholars, students and the public.", "url": "https://noky.io/en/berlin/events/warum-kunst-130677/", "official_url": "https://www.udk-berlin.de/warum-kunst/", "image": "https://noky.io/images/4c0040dcd99307561949035d0d71c046c176ac67cad31d7be417d9d37df8645c-1200.webp"}, {"title": "Vortragsabend der Kontrabassklassen Prof. Burak Marlali und Prof. Janne Saksala", "start": "2026-11-10T19:30:00+01:00", "end": null, "place": "Universität der Künste Berlin – Fakultät Gestaltung", "address": "Grunewaldstraße 5-2, 10823 Berlin", "price": "frei", "price_from": "0.00", "price_to": "0.00", "category": "concerts", "tags": ["music/classical"], "description": "A concert evening at the Berlin University of the Arts where students of the double bass classes perform selected works from double bass literature. The double bass classes are led by Prof. Burak Marlali and Prof. Janne Saksala, with Piotr Zimnik, Marvin Wagner and Zsuzsa Balint also teaching and responsible. The evening promises virtuosic sounds, surprising moments and great musical joy of playing. Admission is free.", "url": "https://noky.io/en/berlin/events/vortragsabend-der-kontrabassklassen-prof-burak-marlali-und-p-29004/", "official_url": "https://www.udk-berlin.de/veranstaltung/vortragsabend-der-kontrabassklassen-prof-burak-marlali-und-prof-janne-saksala/", "image": "https://noky.io/images/9b206341a30b4c74b870c9a5266f8bf1f1ef1b1177e0f6f613b83676c35ca23e-600.webp"}, {"title": "Was bewirkt Kunst? - Über die Zukunft der Kunst", "start": "2026-11-10T18:00:00+01:00", "end": null, "place": "Universität der Künste Berlin – Fakultät Gestaltung", "address": "Grunewaldstraße 5-2, 10823 Berlin", "price": "frei", "price_from": "0.00", "price_to": "0.00", "category": "talks-readings", "tags": ["art"], "description": "This event is an evening of the public talk series \"Warum Kunst?\" at the Berlin University of the Arts, asking what art achieves and where its future lies. Speaking are Wolfram Lotz, a dramatist, poet and radio playwright, and Prof. Iris ter Schiphorst, a composer, musician and author, with the evening moderated by Prof. Marion Hirte. At its center is the question of the value of artistic practice in a time of multiple crises and of art's capacity to open new spaces of thought, experience and imagination. The series sees itself as an open forum for exchange between artists, scholars, students and the public and is held in German.", "url": "https://noky.io/en/berlin/events/was-bewirkt-kunst-uber-die-zukunft-der-kunst-29003/", "official_url": "https://www.udk-berlin.de/veranstaltung/was-bewirkt-kunst-ueber-die-zukunft-der-kunst/", "image": ""}, {"title": "Kritische Kunsthochschule in Vergangenheit und Zukunft - 80 Jahre weißensee kunsthochschule berlin", "start": "2026-11-12T11:00:00+01:00", "end": "2026-11-12T18:30:00+01:00", "place": "Kunsthochschule Berlin-Weißensee", "address": "Bühringstraße 20, 13086 Berlin", "price": "", "price_from": null, "price_to": null, "category": "workshops-courses", "tags": ["art/crafts"], "description": "A symposium at the art school in Weißensee on the history and role of the school as a site of social, political and cultural negotiation. It was conceived by Angelika Richter, the school's president. With contemporary witnesses and distinguished discussants from academia and culture, featuring contributions on the Bauhaus in Weißensee and the cultural transformation of the 1990s, as well as a tour of the exhibition „Explosive Zukünfte. Kunst zwischen Unbehagen und Utopie“. It takes place in the school's assembly hall.", "url": "https://noky.io/en/berlin/events/kritische-kunsthochschule-in-vergangenheit-und-zukunft-80-ja-13433/", "official_url": "", "image": ""}]}